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3/24/11

Happenings: Zine Fest Kickoff, Healthy Divine (Redeemd) Gaping Veggies @ Ball Hall, & more

Friday, head up to Quimby's to check out the first day of zine fest. Readings  from 5-8:30.  There's a Silvertongue flashfiction show in tandem happening at Columbia College  (1104 S. Wabash Ave.).

later on there's a show at Ball Hall, at it's secret location in Humboldt.  Gaping Vortex, Redeemer, Names Divine, Health and Beauty, Jack Topht with the Vegetables.  That starts at 8pm.

there's also a show at the inconvenience. The Embraceables,  Serengehetti + advanced bass, streets on fire.  3111 N Western.  $7, 21+




Saturday, head over to WSSD for Stevie Edwards' Chapbook release party.

3/17/11

Paradeless South Side Celebrates (as published* in Streetwise, March 24, 2010)

   As my train hits Beverly, a wave of memory hits me- riding bikes down Snake Hill, ghost stories at the Castle, and most of all, walking to the South Side Irish Parade, a flood of green, neighbors and outsiders, kids in wagons and staggering drunks, cheering crowds of revelers.
   Those days, I relished the chaotic party atmosphere that swooped down on the quiet family neighborhood once a year, basking in its' lawlessness.
   This year, the quiet that engulfs me is eerie. The parade, a 30-year tradition that built from a kiddie parade to a wild orgy, was canceled last year for "safety reasons". No floats, no crowd, no marching bans or bagpipes, no beer brewing on the sidewalk, no vendors hustling shamrocks, no kids grubbing for candy.
   My sister keeps saying how sad it all is. But she's practically the only one.
   True to form, most of the South Siders I encountered were stoic, if wistful, in good spirits.
   At Sean's Rhino Bar, Chef Mario Malaggi tells me, "it's a lot less crowded this year, which is a big letdown economically... we always looked to Paddy's Day for money we can use to pay the bills" after the slow winter months.
  When the cops (most of whom live in the 'hood) heard of the pub crawl plans, they came out in full force. Pointing to a chalk line on the sidewalk, Mario explains they'd been told a health inspector would be by to make sure no one was smoking too close to the door.
  Of course, as elsewhere in Chicago, the smoking ban forces drunks out onto the street.
  Mario attributes the parade shutdown to some "Midlothian kids who beat up on police.  That violence was uncalled for. The police are here to protect us. It was really just getting out of hand.  Had they started to police it more earlier, maybe it wouldn't have been as chaotic."
  Mario doesn't think the parade will ever come back.  He speaks highly of the alternative event sponsored by the Beverly Art Center Saturday, which features live music and a kiddie parade.
   Annie Coakley, one of the original "wee folk" of the first South Side Irish Parade, (kids marching down the sidewalk led by her father, Patrick Coakly and George Handry), was a member of the Parade Planning Committee for 14 years.  "The parade has changed significantly over the years... we never thought it would ever be big like that.  At first, you'd see people from the neighborhood, but then you started seeing more and more people you didn't recognize."
   Canceling the parade was a tough decision, she says, but it was the right one."I don't think we could continue to do it and not have somebody get hurt.  There were 300,000 plus people...acting irresponsibly, being overserved...not enough arrests being made.  We didn't want to have a tragedy on our hands."
  The parade was independently funded, and they didn't have the resources to handle these issues, they retain the permit, "in case the parade ever comes back" and she is hopeful that it will, she tells me.
    This year, Coakley and about ten others, worried that their kids would miss out, held an impromtu march down the sidewalks of Western.
   The pub crawl packed the bars well into the night, though it was nowhere near the expected showing.
   The real party was where it had always been- in the homes and back yards of the South Siders, where this year the only difference was that there wasn't a glut of drunken strangers wandering in through the fence, puking in the front yard, or passing out in the alley.
   The same cookouts, family parties, even the faint sound of bagpipes drifting across the yards.  Many streets held block parties; one block gave kids a ride on a fire truck.
    Most South Siders blame the rowdiness on the North Siders.  The two cultures tend to clash, with differences in accent, attitude, and rules of decorum.  The South Side is an insular, blue collar tribe.
   South Siders have a great sense of humor and tend to be bold and outspoken.  The Irish here are mostly 5th generation or more, their heritage celebrations based on the Irish Immigrant experience, with a bit of American Cheese on top.
   Shamrocks and leprecauns abound, and Irish music plays over the sound of simmering sausages as swarthy men in thick woolen sweaters welcome neighbors carting soda bread and cases of beer into their front yards.  Folks shout hello from their porches as you pass.
   The most popular song, of course, is the old standard, "the South Side Irish":

   We're the South Side Irish as our fathers were before. We come from the windy city and we're Irish to the core.


  St. Patricks' Day, for me, has always been a homecoming.  So after a few drinks, we make the rounds, visiting old friends and their families.  On the South Side, this involves a lot of walking.
   At one man's house, we are overwhelmed by the smell of corned beef and cabbage- and animals.  There's a ferret, two dogs, and a meowing parrot roaming the tiny bungalow.
  As he hangs a shamrock windchime on his door, he lifts his shirt to show off the cncer scar, joking, "I'm doing really well, there's nothing left of me to get sick!"
  We then visit Eileen olsen, who says she'll miss the parade, but the cancellation has created "many more parties", and the spirit of the event will "stand the test of time".
    At another house we are confronted with the ugly side of the South Side when an otherwise lovely individual drops the N-bomb (of course, racism is not predominant in or exclusive to the South Side).  My sister skillfully handles this by telling a story about an African American cousin, and there are no further slurs. Racism is eroding by degrees here, but it is a gradual process in a place historically known for ugly divisions, particularly in the attitudes of the Irish towards the Blacks, recent immigrants working themselves up the ladder of society having had little sympathy for former slaves with the same goals.  Today,  more and more kids growing up alongside African Americans, with the benefit of a more modern education, are abandoning the foolish prejudices of their parents.
    Back on Western, I see the cops gathering at Dicola's, the fish market popular during Lent. As I pass by, I hear a voice call, "Helen Kiernan, get the fuck in this car!"  It's my old friend Peter, whom I haven't seen in years. He takes me to a backyard bonfire, where some old friends have gathered.
   Over laughter, David White tells me, ironically, "the loss of the South Side Irish Parade is really a great detriment to our neighborhood."   But to me, standing around the bonfire with my old friends, all grown up, the neighborhood spirit seems even stronger.  After all, everybody's just doin' the same old thing- just without the wandering drunken North Siders to interfere.

*(okay, I edited it a bit- SW didn't actually pub the F word...)

3/5/11

Nite Crawl: Monstrous Windy Cave Kult Chants

I'd been spending a lotta time in the Cave, hiding from the other humans, so I decided to try and actually go to some people's shows last weekend.

First I walked a million blocks down 18th street to the Anode Gallery, which sadly is no longer in existence. (possibly due to some sort of a insane landlord problem, but I may have made that up for kicks). Anode is some kinda tech term, something about receiving electrickall impulses or some shit. Anyway, artsy-fart friends and acquaintances were auctioning off their monstrous works, which included a photograph by Sam capturing a poltergeist's trail through an abandoned tagged warehouse & her sculpture transforming a very unfortunate baby head, Kevn's "monster parts in jars", Evan's latest works which are of the abstract-over-my-head digital variety, including a drawing of wiggly lines purposely placed on the floor that at least one would-be do-gooder tried to "pick-up". E.T. brought a portrait of Spears as Mona Lisa and what I think were alien bones in a suitcase but I could be off. My memory of last week might have been partly destroyed by a weekend of sloth & cough syrups. Case in point I'm not sure if it was Alex who made the fuckin awesome clay monster critters. I do remember that Kyle refused to sell his stylish metallic feathery wings and ended up wearing them. Ike displayed some lovely monster soft crocheted face masks. the cute bartender wore heavy glasses and danced along with the radio, serving up free wine, cheese, raspberries and broccoli.

I drifted outta there and bused northward, onto the Chi-Exchange at the secret headquarters of Multi Kulti. I remember it was cold as two-week-old frozen dogshit and not quite snowing, more like slushing, which fucking sucks. At least there are still places in Wicker that take link, tho Wicker always reminds me of how much I fucking hate hipsters and how powerless we actually-broke-people are to stop them.

The Multi Kulti crowd was the most fucking diverse crowd I've ever been in, especially in "stay on your side" Chicago. It was amazing. All ages- ranging from two to like 90, but mostly young, various melanin-leveled folks, all art, with a continuous stream of ethnic tunes. I hadn't planned on spending any of my ridiculously low funds, but a place like that just makes you wanna give the love and the paper dollars, & I decided that the gas and lektrik company and student loans and hospital bills will fucking haunt me forever anyway, might as well buy some fucking art, and I came off with a fucking amazing comic book by Bernie Mcgovern and a couple other great finds, like a great grafitti photo from a woman who has apparently taken photos everywhere.

If Multi Kulti ever goes legit, it could be the powerful vehicle for change it wants to be. Hell, it already is, but I mean, like, moreso... Everything was very cool and confused there, the odd nutter harassment, the tunic guy was very aggressive in particular, but mostly vaguely-but-not-disgustingly-hippie-ish folks earnestly trying to build community. Which is always weird to me. I mean, you don't need to build shit, we fucking ARE a community. Every show I go to I see the same kids, that's a community for crissakes. Anyway, the atmosphere was somewhat anything goes but not to the extreme where you're worried about drug fiends or thieves, everyone was very chill and respectful, even the crazies. I almost accidentally stole what I took to be free pins, I was so guilt wracked I ended up giving the guy some extra dollars, he looked very confused.

Stumbling home, I passed Mortville & heard music driftin outta there. for a second I thought, "no want sleep go home!", but then I pushed that away bc fuck it, sometimes you need to go hear some fucking amazing music. and I'm glad I did. The band that nite, just closing, was Cave, and, after buying a sticker-with-free-beer through a hole in a wall, it didn't take me long to take off about five shirts till down to the T, stash my shit in a cranny, and work my way into the not-quite-mosh-pit part of the crowd, indulging in a little satisfactory love shoves while I geeked out over the awesomeness of discovering a new music crush.

Saturday I got a late start, missing the Happy Collab show for about the billionth time, damm me, but finally focused and forced my agoraphob side to shut the fuck up and headed over to West Side School for the Desperate. I instantly realized why they try to get people to show up within a time frame- the door is right behind the stage, so if you're late, you kinda interrupt a performance. As a former poet, I always sorta had issue with the "BE QUIET!" poetry folks, this isn't a fucking library, and I personally don't give a shit if people talk and move around during my set; still, comin' in behind a reader isn't exactly ideal.

To be perfectly frank and honest, a few years ago, I didn't think much of some of these kids or their poetry. Typical arrogant assholery. Now I see what a fucking idiot I was, I'm glad I didn't write them off, that their enthusiasm and genuinely likable personalities kept me hanging in with them for the ride. the WSSD kids and their cohort represent the best that poetry has to offer, a combination of the "page" and "stage" powers that trumps that stupid rivalry, an earnest, honest (yeah, both those things), tongue in cheek yet enthusiastic and ballsy/ovariesy fuckin mania for the art that reawakened my own love for it. For the first time in nearly three years, I remember what I loved about writing and reading and hearing and performing poetry, and wanted to be a part of it again. And yeah, they're my friends and all, but I swear before the Great Satan that is the motherfucking truth.

Anyway it's a great little space down a ways from the Logan Square Blue Line. They get by sellin libations and on donations. The night ended up with an honest to god fiddle contest, and some of us got up and fucking danced our asses off until the upstairs neighbor started pounding on the floor. I meant to leave early but ended up stayin late as I could stand, it was so much fucking fun. I highly recommend it to anyone who loves good times.

I got up early for work Sunday and dragged through a long day during which I caught a cold my shitty ex-smoker's lungs are still struggling with. As the day wound down I felt like fucking shit, but I made it out to the Windy City Story Slam because I fucking said I would. And also because the Slam is the fucking shit. It was held at the Double Door, and this year it was much smoother than last, with great featured readers Tony Fitzpatrick (with an amazing filmic piece from "this train") and Joe Meno (who brought me back to my childhood on the South Side with a piece on love lost on a bus) and an amazing gauntlet of contestants, including tales of corrupt make-a-wish scammers & a nerve-wracking Belarussian train ride. The Slam was easily, handily won, by one Fred Burkhart, a skinny aged Chicago beatstir with a long smoky beard who recounted his days as a boy prostitute, an encounter with "The Muted Asshole". I felt for Nicolette, the runner up, with her amazing story of life as a pimp- how do you compete with that? I was sick as hell the whole time, sittin on the edge of the stage wearin glasses in an already dark bar and not drinking shit, but glad as hell I stuck it out the whole show, it was fucking amazing.

A few days later, we gathered in the tiny apartment of one "Edward Crayon" to send him off to Hawaii. This is no kinda official Happenin but I mention this because of a moment, a singular moment that's difficult to cheapen with words... here gathered all these people who love this man, a gentle spirit, full of wonder... anyway, as we gathered, somebody put out the lights and lit a spinning wicker creation ...and everyone just sorta started to howl, and chant, bellow and laugh and cry, and it was like we were chasing him, joyfully, across the waters, sending him off with our love on his shoulders. If fucking magic exists, as Crayon has argued me many times it must, that was fucking it. he'll be missed, but we're happy for him goin off on a new adventure.

That's fucking community. In all these spaces, in love for friends, in sharing music, making art, buying and selling, keeping secrets, telling stories.

This weekend, I spent most of my time in fucking bed after a long week working sick, hacking up a lung & slowly going mad from cabin fever. Was it worth it? fuck yea.

happenings: WSSD hosts Stevie Edward's Chapbook Release Party

straight from the face-eating-book invite:

On March 26th, West Side School for the Desperate (3608 W. Wrightwood) is hosting Stevie Edwards' release party for her first chapbook, Pain Needs to Remember (tiny house, 2011).

Doors open at 7 pm, show starts promptly at 8 pm.

If you show up late, on top of being a bit of a douche, you will also risk missing part of the phenomenal line up of opening poets:
...Roger Bonair-Agard
Marty McConnell
JW Basilo
Benjamin Clark
John Paul Davis

After the show, Stevie will be selling copies of her chapbook for $9. They are very pretty and have naked ladies on them. You know you want to buy one. Everyone is also welcome to stay after the show and throw back a few libations (if over 21).

Attendees are encouraged to bring wads of cash to generously donate to West Side School for the Desperate, to stay lubricated at the cash bar (beer, whiskey, wine), to buy Stevie's book, and to throw money at all the hotness about occur on the mic.


Bio:
Stevie Edwards spent her formative years in the majestic city of Lansing, MI. She currently lives in Chicago, where she works for a non-profit by day and writes and debauches by night. She is Editor-in-Chief/ Founder of MUZZLE, an online literary magazine. Her poetry has appeared in several literary magazines, including decomP, Word Riot, PANK Magazine, Night Train, Bestiary, and Union Station. She completed her BA at Albion College (a liberal arts school in Michigan) in 2009, where she worked as Poetry & Fiction Editor for the Albion Review. Starting in September 2011, she will be pursuing an MFA in creative writing. Check out her janky website: www.stevietheclumsy.com.


http://schoolforthedesperate.wordpress.com/

Nite Crawl: Screamin' Smoketent Striptrip

Chicago's Broke Artists don't bother dealing with bars & clubs too often these days; they make their own venues, a vast network of underground playgrounds, ranging from the sick & sad to the fucking amazing. Warehouse Wonderlands like Mortville in the near South (straddling the ghetto and immigrant enclaves on the cusp of gentry-invasion) with insane themed sets like Nightmareland and Playground (complete with real sandbox and working swings & see-saw), Loft apartments in long-since-gentried Wicker Park like the recently-gone-legit In Con Ven i -ence where patrons (were) cautioned to take their squares(cigarettes) on a walk so as not to reveal the secret location; there are tiny little Industrial District half-flats inexplicably located over the homes of sleeping babes, Middle-of-Nowhere haunted band houses, briefly lived venues outta friend's apartments like Red Floors (the roof on that place!), Post Pilsen, & the Mustache Gallery, even a joint aptly titled The [fuckin'] Attic, a narrow little space that reeked of catshit on the way up but could barely hold the fevered crowd when I was there a year or so ago.

At an undisclosed location in Humboldt Park in an unimpressive building hiding a spectacular loft space that is transformed into a dynamite performance hall. I'd tell ya the name but not sure if that would get me in trouble with anyone considering what's about to go down. Suffice to say if you get invited to something vaguely reminiscent, fucking go. fuck the cold, fuck inertia, fuck social anxiety, fuck work, just go. you'll thank me.
or maybe you won't. I tend to get overenthusiastic about these things. but sometimes ya gotta choose adventure over same ol' shit. It's been months but I have to get this down now, as like a dream it is fading from my head, windblown brain- sand wise...

I arrived at "The Hall" on maybe two days of no sleep, but insteada headin' home to pass the fuck out already i loaded up on a delicate balance of booze and caffeine and made it to Humboldt because Roche Moche was playin', and I try to see them every chance I get. I'm not really hip to the music scene, I'm a fuckin' geek and my music knowledge is limited to a handful of blues dudes, grunge guys, folky wierdos & punkers on repeat, cuz when I hear something I like I can't get enough - and Roche Moche fits that description perfectly. Plus they're genuinely cool folks I like hangin' out with. good deal all around.

I'm really fucking glad I went because I got to experience like the most amazing Noise MindFuck I've had in a while. I'm talking about Meester Magpie (+9). Holy Shit.

I got there an hour late which is early and sorta hung awkwardly around like I do. I watched a tall skinny blond kid that looked like a Norwegian hacker or something in some sorta colorful knitted garb setting up a tent in the middle of the room. Last time I was at an event with a tent it was for poets, which fits- shy, antisocial, oft pretentious creatures would naturally delight in hiding from the audience to read their secret code. But Music? In a Tent? crazy! wasn't sure if it was meant for the band or unruly audience members. Perhaps there was to be an orgy after? Maybe it was a medical station?

The Hall is a good place to set up camp, with its' huge, skylit ceiling. All over the walls are posted notes from grateful couch hoppers and friends. the back door opens to a stunning fire escape view and, when not crowded with smokers, is a great place to imbibe some fresh cold air straight outta a sweaty mosh. It was a free show with a very trusting donation bucket at the door and a thoughtful coat rack that filled up quick.

The first band, name of which I forget, featured "Grimes" of Roche Moche with a mask over face crawling around on the floor like some crazed wounded monster from outer space. it was your basic punk noise fun.

Then the lights went down, and smoke started to creep outta the tent, with loud strobe lights. this was not a show for the faint of heart, apparently, nor the epileptic or asthmatic. I'm not especially good at describing music, so you want to hear it, here. Heart attack music I think is the technical term. Meester Magpie is one dude, nine is another, together rounding up to awesome. This was followed up by Roche Moche and a follow-up band that were pretty decent.

In the end no one wanted to go home, all these sweaty exhausted bodies hanging around talking like joyful ghosts while hosts circulated gently urging exit. One guest in particular refused to leave and starting stripping off her clothes. She'd been wigging out all nite, dancing frantically with a gutter punk girl, groping random strangers, posing for photographs; this was the culmination of a long euphoric nite, a weird protest against being sent home. the girl, it turned out, was some sort of 17 year-old runaway on acid- at least that's my remembrance of the rumor. to me the nudity was not the problem at all, just that she'd chosen the wrong time for it- when your Gracious Hosts are trying to close up shop, that's the time to fucking put your clothes on and get the fuck out, not perform an awkward striptease. 'Course you can't expect that kinda sense of decorum from a strung out teenager. "Flo", a friend of hers, explained that she is a "performance artist" and all of life is a performance, that she's seen some shit in her time, too. & what the hell, when did we decide that 17-year-olds were children anyway? I mean, they're generally plenty dense but so are most adults, and maybe they'd be sharper if we didn't insist on infantilizing them (just as nudity wouldn't be necessarily sexual if we didn't constantly censor it). In a few months she'll be old enough to vote, gamble away the rent, and die for her country, but she won't be allowed to enter a bar and buy a beer. But for now we'll leave her dancing drunkenly against the floorboards while the Hall folks urge her, via microphone, to get dressed and go home.

Flo is a total sweetheart, a beautiful lanky queer poety musician with a tremendous beard, very huggable and lovey-dovey, so of course he's really good at getting rides. Flo didn't want to put this ride out too much so he had them drop us at a bus stop for the ashland, which we both thought ran all nite. but nothing was running, as nothing does between 2 & 4 am in this shit city. alrite, shit runs, but few in far between in some spaces. you can get stuck, easy, if you're a broke motherfucker like us, walking miles, for hours, which is alright on a nice summer nite when you got a drunk on but nothing you'd envy when it's cold with maybe snow & ice on the ground. We weren't quite sure where we were heading at this point, it took a few false starts for Flo to get his bearings and I had no fucking clue even tho I've lived here my whole goddamm life. Despite the cold it was pleasant to walk in my friends' long thin shadow, to share in the adventure despite the discomfort. Poor Flo woulda had a better time of it if I hadn't been slowin' him down & whinin in his ear the whole time, barkin at his heels like a lost puppy & pissin in the alley every five minutes, but he took it with grace as he's apt to do and in time we made it to a Red Line. It was cold as hell and probably took four hours for me to get home and finally pass the fuck out. Few sleeps have been better.