welcome starving artists, hood rats, peasants, students, bums, anarchists, hippies, mad clowns & wandering hobos, to
your local source for cheep as free underground happenings post & story time.


5/7/11

defenestrate yr television....

...and all yr other devices that keep you glued to a chair or couch or floor, hop on a bike or train or dragon and go check out one of these three events tonight in Chicago if you have nothing else on yr agenda (first two are FREE):

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  The Mutation of Fortune Book Release
      1511 N. Milwaukee, 2nd Floor

"The Green Lantern Press is pleased to announce the release of its latest book, The Mutation of Fortune, a collection of short contemporary fables by ERICA WALKER ADAMS. On Saturday May 7th, 2011 at 6 PM four readers, ROWLAND SAIFI, JEN LARSON, CAROLINE PICARD and NAMES DIVINE will perform passages from or inspired by the book."
 sourced from (and for more info) : http://lanternprojects.com/daily/?p=9149


    
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SUN GUN "RATS & SNACKS" RELEASE PARTY
9pm - Impala Gallery, 1768 W. Greenleaf (http://www.chicagoimpala.com)

Sun Gun releases some planetary trip doominess this evening at Impala Gallery.
Check out their blog.


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- six bucks, four bands, slimy grimy punx - 

sourced from the facebook event page:

LIBYANS (Boston Punk, New LP on sorry state, for fans of ROCK BAND)
SKRAPYARD (faux-oi, fauoi)
DAYLIGHT ROBBERY (Chicago's finest X worship)
SCABS (driving female fronted slime punk from northwest indiana, SCABS DON'T CARE)
THE OUTS (Fast raw female fronted punk)


                               2 female-fronted bands awheeeeeeeeehooooooooooooooooooooooooooOOOOOOOOOOh!!


-----------------------------------------------------------
  
   there's some other fun PARTIES and SHOWS and whatnot occurring tonight - if you know me, call me or somethings and I will letcha know what I've spotted.  if not, go wander the streets in search of the nearest thundering drumnoise coming from a basement or attic and try to make yr way in there.  have fun in yr city, you beauteous rapscallions!  <3 G G-S  

4/20/11

Happy 4:20! Craft Time!

While you're lighting up, take a moment to reflect on the absurdity of the illegality of this blissful, practically harmless recreational activity, particularly with everybody in congress yellin' & screamin' about cuttin' NPR and Planned Parenthood from the budget.  Wonder how much of our money nixin' the drug war would cost? How many people could be free from prisons? How much business could be drummed up sellin' hippie smokes?
    Right now your friendly neighborhood representative is deciding the fate of the legal status of the beloved weed of which you toke (for medicinal purposes) : Illinois HB 30
apparently, technically, it already is:  Chicago Reader
Hey, guess what: nudging your rep is free!  It can be done via e-mail, or over the phone!  Or for the price of a postage stamp, give 'em n that lovin' personal touch with a Marijuana Freedom Card.  just  buy or make your own postcard,

Got stoned and forgot to do this on 4/20? Who cares!  It's always 4/20 somewhere (if you, like, think universally, maaan!  =) )  

FIRST, SEND A THANKS! CARD to one of the groovy dude who's workin' to restore sanity & buzzes, like rep Lou Lang of the fightin' 16th!


Next, MAIL YOUR WEED CARD TO YOUR REP!    = ) 
(find the bastard)  here's a partial list of Chicago reps w/ contact leads:
Little Village:  Edward J. Acevedo   1836 W 35th St.  Chicago, IL 60609  eacevedo@hdsmail.state.il.us   773/843-1500    loop:  Ken Dunkin    kendunkin@msn.com      http://www.repkendunkin.com/  Maria "Toni" Berrios    repberrios39@gmail.com      Daniel J Burk   2650 W. 51st StreetChicago, IL  60632 

HOORAY! HAPPY FUNTIME DEMOCRAZY! 

 
What should you say?  Be creative! Fuck it, have some fun with it! Polytiks like a good laugh too, especially at the taxpayer's expense!  you can say anything, even shit like:
The first political official to pull of Marijuana decriminalization will be a true American Folk Hero!  This can be yours for the low low price of Giving a Shit and Doing the Right thing!
 Hey Dude! We know you're really the cool kind of government official.  Wanna save the Man some scratch and get groovy with the voters?  Just legalize it, yo! Far out!
I vote, I pay taxes*, and I want/demand the freedom to smoke weed!
*all Americans do!
OMG!  SAVE THE BUDGET!
Enforcing Marijuana prohibition costs Americans billions of dollars annually
WHY THE FUCK ARE PEOPLE IN PRISON FOR SMOKING WEED?  LEGALIZE IT!
This year, 0 people have died of Marijuana overdose.  
In all recorded/known history, 0 people have died of marijuana overdose.
Just legalize it, yo.
Marijuana has been at least partially decriminalized in almost 20 countries, 15 U.S. states.  Why not Illinois? 
Help stop Gang Violence! Legalize Weed!

 

 & why not send postcards to:

Illinois Governor Pat Quinn
James R. Thompson Center
100 W. Randolph, 16-100
Chicago, IL 60601
Phone: 312-814-2121

Mayor Rahm Emanuel
121 N. LaSalle Street
Chicago, Illinois 60602 





aka Skeletor!, or one of his evil henchmen, your loveable bubblebull Aldies
here's a partial rough listing, but use the tool to find ward!  It's like a fun puzzle!:
Pilsen/UIC:    Danny Solis  /  2439 S. Oakley Ave. / 60608  25th ward  / 773.523.4100    /  info@DannySolis.org
Humboldt/Logan:    Rey Colon  / 2710 N. Sawyer Ave. / 60647 /  ward35@cityofchicago.org /  773-365-3535   /  Walter Burnett   /   1463 W. Chicago Ave / 60622 27th ward  / wburnett@cityofchicago.org North Lawndale  Micheal Chandler 



or, Dream Big, go straight to the Top!


President Obama
The White House
1600 Pennsylvania Avenue NW
Washington, DC 20500


HAPPY 420!


4/6/11

Names Divine: Something Vague & Maybe Rotting

I'm not going to bore you with why I personally love this album. Just go have a listen: Names Divine: Something Vague & Maybe Rotting. It's fuckin' free. I think there's a release party comin' up @ the Mortville. I recommend going if you dig their sound- they're pretty fuckin' awesome performance artists- they'll fuckin crush glass & play thru a blackout.  rad.

4/5/11

Nite Crawl: split maggot open, stomp its' guts

 A couple weeks ago I went up to Ball Hall to check out a show featuring Names Divine.  As always, they put on a great fuckin' show, (as did the Gapin' Vortex).  but more on them later, in another story. what I really want to tell you about right now is motherfuckin' Connie Olivia.
The lead singer of Redeemer is this insane, badass chick I've seen dancing & moshin & goin apeshit in crowd pits before- Connie's kinda hard to miss- she's this badass transgrrrl clad in tattered neon tights & giant pink toesmashin platform hooves. when she dances she's a fuckin tireless whirlwind, when she performs, in short punkish bursts of deth thrashy screaming haphazard metallic frenzy with a touch of robot, she is a snarling demon diva. at one point she banters, from behind the keys, "I'm bored of singing, fuck that.  you sing motherfucker."  but she can't keep up that act long, and is screaming again shortly.
  halfway thru the act, the little table that the crowd had kicked up into the mics becomes a serving platter for hubert the maggot. the maggot is split open so its guts spill out.  Connie walks around the crowd offering them to us, few takers.  a dude picks him up and dances around with him.  the heavy (wtf? ceramic?) maggot glances off my hed; i reflexively fling it on the floor and keep fuckin' dancin'.  sum chick who probly made it scoops it up and scolds dude, "no touching!", holding it in her arms like a christ child on display to the unwashed, unruly masses.
  Later, when a kinda lame act I won't bother namin' requested into the mic, that Redeemer clean up the fuckin' "whipped cream" (nope, it was pudding, he was corrected) that was on the floor so no "lovely ladies" would slip and break our delicate lil' heinies, Ms. fuckin' Badass did him one better like the helluva crazy-ass performer she is and fuckin BREAKDANCED all over the fuckin mess, cleanin' it up with her fuckin' back, and kept on dancin'.

Nite Crawl: not-so-secret loopdive, 3036 basemeat cram & coughin on yups

Rossi's is a neat little dive in the North Loop, about the only place you can get a cheap anything round those parts. All it was around there was flocks of rich drunk young assholes, the poor grunts workin' in service to them, and beggars.
Rossi's was full and loud. i been sick as hell for about two weeks, had to work long hours all through it (& still so deep in debt to utilities i lost my ring in pawn) doesn't help i've turned my lungs to shit smokin for years. I can't smoke no more and even the fresh air was makin' me cough, but I was grateful for the cigarette-ban induced outings so I didnt havta strain and shout to converse with my buddies.
"whenever I get sick of a job, I just stop trying," 'Boner' says, "I'll sleep at my desk, pick up the phone, yell 'whaddya want!  ...I don't give a fuck anymore." so I guess he'll be fired soon, which will make him happy, as happy as that bastard ever gets, unless you count "enjoys being miserable" as happy.
  The little barfly dude beside us laughs along as we slag the Catholic church. "Rat", a barfly herself, speaks with him frequently, and when she's in the can invites us back to his pad, where he will have some marijuana.  I stiffen, as to me it seemed maybe the poor sap was trying to get laid and I'm about as creeped out by any kinda flirtin on the part of straight men as most of them would be at a Mr. Leather convention. Rat, a tough tho deceptively petite chick, handles these situations effortlessly; she gets hit on a lot but never seems quite aware of it, never threatened by it; but I tend to overreact.  At any rate, he seeks to reassure me, annunciating slowly in simple spanish so I could follow, something like "I'm not a bad man". "I know that!" I slur, in English, "I can see that!" like damn near anybody I happen to be drinking with who isn't a complete asshole, I thought he was a swell guy- but really, I think he was, just a sweet harmless little dude.
    Rosy & I pour out onto the streets, babbling drunkly together over something of great import or other, repeating ourselves a lot. Walk over to the Chicago bus, which'll take us to the secret location of 3036, which disguises itself effortlessly as a warehouse in the warehouse district, near the confusing (for those of us bred on the grid) cross-sections of Grand, Chicago, and Kedzie.
   on the painted door, a small photo of a ghoulishly grinning former Mayor Richard M. Daley greets me.  They need to update the door, add a Mayor Skeletor, tho I spose they're two Bosses cut from damn near the same cloth.  I mean, who's gonna question a Mayor sent from onheigh, from the throne of Holy Obama?  Not a single rubberstampin, smile n nod, Bobblehed Aldertwerp.  Not the fuckin 60% of Chicagoans who didnt bother to fuckin vote against Skeletor & the Bobbleheads, nor the 40% mostly Machine Goons who voted for patronage.  Rah Rah.  Where the fuck is Royko when you need him?
   Ugh.  Anyway, all that has fuck all to do with 3036, whose patrons mostly exist in a world where interest in ugly politico feuds rank well below a splatter of paint on the sidewalk, which (in a way) is as it should be.  The Man exists only as a shadowy threat; their biggest concern is probably getting busted- hence the secrecy, and a sign on the door saying  "please do not hang out in the alley or the CPD will not like us".  Careless drunk smokers clump up in front of the building instead, despite the fact that the joint, with the benefit of being underground, certainly doesnt bother trying to conform to any bullshit smoking ban laws.  Havin been sick for weeks, my shitty ex-smokers lungs do not appreciate the cloud of smoke that used to hover everywhere there was drink and music, but I'm damned glad the fuckin smokers are allowed to fuckin smoke anyway, because here in the underground you can get a taste of the fucking freedom the square brigades have willingly given up.
   Mostly what you get is Righeous fucking Noise.  Glorious Noise.  Unfortunately, at 3036, it can sometimes have that quality of buzzing feedback drownin the subtler harmonies.  You gotta cram into a tiny fuckin basement space that couldn't hold the crowd- but no worries, if you're the antisocial type you can sit on the stairs with yr hed in yr hands and still hear beautifully, maybe even better, from a distance. For me, crammin in on the band was great fun, particularly when Nude Sunrise played.

    Seeing as how I suck at descriping music, check it out here, on the soundcloud:  Nude Sunrise
basically, it's like jammin out to aerial bliss, mad rythm dance time for dosed robots. somethin like that.  I dug all the bands that nite, not that my opinion is anythin' to go on, but there it is. By name, they were:  The Great Valley, Wumme, I Love You, Terrior Bute.


  ...towards the end of  Nude Sunrise's set the jostlin' crowd, the shitty acoustics, my shitty lungs and a drink or two too many drove me out onto the streets, where I puked my guts out.  that and squatting in the alley with no toilet paper made me feel not so up to fuckin crammin back into a crowd of other humans, so I stumbled out into the messy streets.  Unfortunately, the clearest path home was too far to walk and with few buses runnin' in the dead zone, I had to trek all the way back thru the loop, thru the crowds of dumb rich yups.  This put me in an ugly mood, and with the drink in me I soon found myself loudly, joyfully cussin out rich fucks in childish song.  Assuming I was an insane street person, as well they should with the smell and the torn rags and the fuckin' crazy hateful warblin issuein' forth, the crowd stepped back and ignored me.  I finally made it to the ever faithful 60 bus, and home for a much needed shower and sleep.  Had I biked it, the two hour trip home woulda taken about 30 minutes and considerably less utter disgrace.

 anyway, boring-personal-fuckin-disgrace-bullshit-you-don't-give-a-fuck-about aside, I had a helluva good time at 3036. good crowd, good folks, great bands- tho I think their venue would be better suited to poetry or film screenings or something more acoustic, played upstairs rather than the basement. crammin a bunch of people into a basement with a subpar soundsystem kinda sucks, but a multimedia art show with a smaller crowd would be perfect for the space..  The upstairs is fucking beautiful- nicely painted, high ceilings, step up to a nice little bar area and hang out couch, step down to a neat little room in this carved out warehouse.  Still and all, ya gotta give it to them for tryin'; anyone who gives kickass bands a place to play is a fuckin saint in my book.

4/2/11

Happenings: Dont Miss This Fuckin Show! Roche Moche & Names Divine @ Mutiny Sunday. Free!

8pm, with Lovey Dovies, Liar's Mouth,  Lil Choo-Choo, & Coyopa.  21+.  @ Mutiny:  2428 N Western.

Fucking Go!  Roche Moche and Names Divine alone put on a great fuckin show like goddammed fuckin' always.  Names Divine, fronted by this badass fuckin' rocker grrrl, Kendra Calhoun, is a galley of rouge musical freaks like your friend and mine, Ike Floor, the Amish-bearded wispy crocheting fiddler with a heart of goddamm gold. But my mad love for this dude has only a pinch to do with the recommendation: you need to go to this show because it's going to be fuckin killer. Names Divine are fuckin' showmen, and they always think of some wierd new shit to fuck with the heads of the audience.  At a Mortville show they had a guy fuckin playin' broken glass like an instrument- seriously, dude had a fuckin bucked of broken glass he smashed in slavish rhythm.  How fuckin' crazy badass is that? Y'all know Roche Moche, that good ol' fuckin fun punk screamin' noise. No, I don't fuckin' know the other bands yet, but I'm fittin' to find out.  And so are you. If  you give a shit about the world, have ears, and aren't a total fuckin' tool you will get out of work, school, & gramma's funeral and FUCKIN GO!  It's free!

Still need some convincin'?  Listen up, motherfucker:

Roche Moche  -all their fuckin music for free, how kickass is that?

Names Divine:  Satisfied Mind  (more on Soundcloud)

3/24/11

Happenings: Zine Fest Kickoff, Healthy Divine (Redeemd) Gaping Veggies @ Ball Hall, & more

Friday, head up to Quimby's to check out the first day of zine fest. Readings  from 5-8:30.  There's a Silvertongue flashfiction show in tandem happening at Columbia College  (1104 S. Wabash Ave.).

later on there's a show at Ball Hall, at it's secret location in Humboldt.  Gaping Vortex, Redeemer, Names Divine, Health and Beauty, Jack Topht with the Vegetables.  That starts at 8pm.

there's also a show at the inconvenience. The Embraceables,  Serengehetti + advanced bass, streets on fire.  3111 N Western.  $7, 21+




Saturday, head over to WSSD for Stevie Edwards' Chapbook release party.

3/17/11

Paradeless South Side Celebrates (as published* in Streetwise, March 24, 2010)

   As my train hits Beverly, a wave of memory hits me- riding bikes down Snake Hill, ghost stories at the Castle, and most of all, walking to the South Side Irish Parade, a flood of green, neighbors and outsiders, kids in wagons and staggering drunks, cheering crowds of revelers.
   Those days, I relished the chaotic party atmosphere that swooped down on the quiet family neighborhood once a year, basking in its' lawlessness.
   This year, the quiet that engulfs me is eerie. The parade, a 30-year tradition that built from a kiddie parade to a wild orgy, was canceled last year for "safety reasons". No floats, no crowd, no marching bans or bagpipes, no beer brewing on the sidewalk, no vendors hustling shamrocks, no kids grubbing for candy.
   My sister keeps saying how sad it all is. But she's practically the only one.
   True to form, most of the South Siders I encountered were stoic, if wistful, in good spirits.
   At Sean's Rhino Bar, Chef Mario Malaggi tells me, "it's a lot less crowded this year, which is a big letdown economically... we always looked to Paddy's Day for money we can use to pay the bills" after the slow winter months.
  When the cops (most of whom live in the 'hood) heard of the pub crawl plans, they came out in full force. Pointing to a chalk line on the sidewalk, Mario explains they'd been told a health inspector would be by to make sure no one was smoking too close to the door.
  Of course, as elsewhere in Chicago, the smoking ban forces drunks out onto the street.
  Mario attributes the parade shutdown to some "Midlothian kids who beat up on police.  That violence was uncalled for. The police are here to protect us. It was really just getting out of hand.  Had they started to police it more earlier, maybe it wouldn't have been as chaotic."
  Mario doesn't think the parade will ever come back.  He speaks highly of the alternative event sponsored by the Beverly Art Center Saturday, which features live music and a kiddie parade.
   Annie Coakley, one of the original "wee folk" of the first South Side Irish Parade, (kids marching down the sidewalk led by her father, Patrick Coakly and George Handry), was a member of the Parade Planning Committee for 14 years.  "The parade has changed significantly over the years... we never thought it would ever be big like that.  At first, you'd see people from the neighborhood, but then you started seeing more and more people you didn't recognize."
   Canceling the parade was a tough decision, she says, but it was the right one."I don't think we could continue to do it and not have somebody get hurt.  There were 300,000 plus people...acting irresponsibly, being overserved...not enough arrests being made.  We didn't want to have a tragedy on our hands."
  The parade was independently funded, and they didn't have the resources to handle these issues, they retain the permit, "in case the parade ever comes back" and she is hopeful that it will, she tells me.
    This year, Coakley and about ten others, worried that their kids would miss out, held an impromtu march down the sidewalks of Western.
   The pub crawl packed the bars well into the night, though it was nowhere near the expected showing.
   The real party was where it had always been- in the homes and back yards of the South Siders, where this year the only difference was that there wasn't a glut of drunken strangers wandering in through the fence, puking in the front yard, or passing out in the alley.
   The same cookouts, family parties, even the faint sound of bagpipes drifting across the yards.  Many streets held block parties; one block gave kids a ride on a fire truck.
    Most South Siders blame the rowdiness on the North Siders.  The two cultures tend to clash, with differences in accent, attitude, and rules of decorum.  The South Side is an insular, blue collar tribe.
   South Siders have a great sense of humor and tend to be bold and outspoken.  The Irish here are mostly 5th generation or more, their heritage celebrations based on the Irish Immigrant experience, with a bit of American Cheese on top.
   Shamrocks and leprecauns abound, and Irish music plays over the sound of simmering sausages as swarthy men in thick woolen sweaters welcome neighbors carting soda bread and cases of beer into their front yards.  Folks shout hello from their porches as you pass.
   The most popular song, of course, is the old standard, "the South Side Irish":

   We're the South Side Irish as our fathers were before. We come from the windy city and we're Irish to the core.


  St. Patricks' Day, for me, has always been a homecoming.  So after a few drinks, we make the rounds, visiting old friends and their families.  On the South Side, this involves a lot of walking.
   At one man's house, we are overwhelmed by the smell of corned beef and cabbage- and animals.  There's a ferret, two dogs, and a meowing parrot roaming the tiny bungalow.
  As he hangs a shamrock windchime on his door, he lifts his shirt to show off the cncer scar, joking, "I'm doing really well, there's nothing left of me to get sick!"
  We then visit Eileen olsen, who says she'll miss the parade, but the cancellation has created "many more parties", and the spirit of the event will "stand the test of time".
    At another house we are confronted with the ugly side of the South Side when an otherwise lovely individual drops the N-bomb (of course, racism is not predominant in or exclusive to the South Side).  My sister skillfully handles this by telling a story about an African American cousin, and there are no further slurs. Racism is eroding by degrees here, but it is a gradual process in a place historically known for ugly divisions, particularly in the attitudes of the Irish towards the Blacks, recent immigrants working themselves up the ladder of society having had little sympathy for former slaves with the same goals.  Today,  more and more kids growing up alongside African Americans, with the benefit of a more modern education, are abandoning the foolish prejudices of their parents.
    Back on Western, I see the cops gathering at Dicola's, the fish market popular during Lent. As I pass by, I hear a voice call, "Helen Kiernan, get the fuck in this car!"  It's my old friend Peter, whom I haven't seen in years. He takes me to a backyard bonfire, where some old friends have gathered.
   Over laughter, David White tells me, ironically, "the loss of the South Side Irish Parade is really a great detriment to our neighborhood."   But to me, standing around the bonfire with my old friends, all grown up, the neighborhood spirit seems even stronger.  After all, everybody's just doin' the same old thing- just without the wandering drunken North Siders to interfere.

*(okay, I edited it a bit- SW didn't actually pub the F word...)

3/5/11

Nite Crawl: Monstrous Windy Cave Kult Chants

I'd been spending a lotta time in the Cave, hiding from the other humans, so I decided to try and actually go to some people's shows last weekend.

First I walked a million blocks down 18th street to the Anode Gallery, which sadly is no longer in existence. (possibly due to some sort of a insane landlord problem, but I may have made that up for kicks). Anode is some kinda tech term, something about receiving electrickall impulses or some shit. Anyway, artsy-fart friends and acquaintances were auctioning off their monstrous works, which included a photograph by Sam capturing a poltergeist's trail through an abandoned tagged warehouse & her sculpture transforming a very unfortunate baby head, Kevn's "monster parts in jars", Evan's latest works which are of the abstract-over-my-head digital variety, including a drawing of wiggly lines purposely placed on the floor that at least one would-be do-gooder tried to "pick-up". E.T. brought a portrait of Spears as Mona Lisa and what I think were alien bones in a suitcase but I could be off. My memory of last week might have been partly destroyed by a weekend of sloth & cough syrups. Case in point I'm not sure if it was Alex who made the fuckin awesome clay monster critters. I do remember that Kyle refused to sell his stylish metallic feathery wings and ended up wearing them. Ike displayed some lovely monster soft crocheted face masks. the cute bartender wore heavy glasses and danced along with the radio, serving up free wine, cheese, raspberries and broccoli.

I drifted outta there and bused northward, onto the Chi-Exchange at the secret headquarters of Multi Kulti. I remember it was cold as two-week-old frozen dogshit and not quite snowing, more like slushing, which fucking sucks. At least there are still places in Wicker that take link, tho Wicker always reminds me of how much I fucking hate hipsters and how powerless we actually-broke-people are to stop them.

The Multi Kulti crowd was the most fucking diverse crowd I've ever been in, especially in "stay on your side" Chicago. It was amazing. All ages- ranging from two to like 90, but mostly young, various melanin-leveled folks, all art, with a continuous stream of ethnic tunes. I hadn't planned on spending any of my ridiculously low funds, but a place like that just makes you wanna give the love and the paper dollars, & I decided that the gas and lektrik company and student loans and hospital bills will fucking haunt me forever anyway, might as well buy some fucking art, and I came off with a fucking amazing comic book by Bernie Mcgovern and a couple other great finds, like a great grafitti photo from a woman who has apparently taken photos everywhere.

If Multi Kulti ever goes legit, it could be the powerful vehicle for change it wants to be. Hell, it already is, but I mean, like, moreso... Everything was very cool and confused there, the odd nutter harassment, the tunic guy was very aggressive in particular, but mostly vaguely-but-not-disgustingly-hippie-ish folks earnestly trying to build community. Which is always weird to me. I mean, you don't need to build shit, we fucking ARE a community. Every show I go to I see the same kids, that's a community for crissakes. Anyway, the atmosphere was somewhat anything goes but not to the extreme where you're worried about drug fiends or thieves, everyone was very chill and respectful, even the crazies. I almost accidentally stole what I took to be free pins, I was so guilt wracked I ended up giving the guy some extra dollars, he looked very confused.

Stumbling home, I passed Mortville & heard music driftin outta there. for a second I thought, "no want sleep go home!", but then I pushed that away bc fuck it, sometimes you need to go hear some fucking amazing music. and I'm glad I did. The band that nite, just closing, was Cave, and, after buying a sticker-with-free-beer through a hole in a wall, it didn't take me long to take off about five shirts till down to the T, stash my shit in a cranny, and work my way into the not-quite-mosh-pit part of the crowd, indulging in a little satisfactory love shoves while I geeked out over the awesomeness of discovering a new music crush.

Saturday I got a late start, missing the Happy Collab show for about the billionth time, damm me, but finally focused and forced my agoraphob side to shut the fuck up and headed over to West Side School for the Desperate. I instantly realized why they try to get people to show up within a time frame- the door is right behind the stage, so if you're late, you kinda interrupt a performance. As a former poet, I always sorta had issue with the "BE QUIET!" poetry folks, this isn't a fucking library, and I personally don't give a shit if people talk and move around during my set; still, comin' in behind a reader isn't exactly ideal.

To be perfectly frank and honest, a few years ago, I didn't think much of some of these kids or their poetry. Typical arrogant assholery. Now I see what a fucking idiot I was, I'm glad I didn't write them off, that their enthusiasm and genuinely likable personalities kept me hanging in with them for the ride. the WSSD kids and their cohort represent the best that poetry has to offer, a combination of the "page" and "stage" powers that trumps that stupid rivalry, an earnest, honest (yeah, both those things), tongue in cheek yet enthusiastic and ballsy/ovariesy fuckin mania for the art that reawakened my own love for it. For the first time in nearly three years, I remember what I loved about writing and reading and hearing and performing poetry, and wanted to be a part of it again. And yeah, they're my friends and all, but I swear before the Great Satan that is the motherfucking truth.

Anyway it's a great little space down a ways from the Logan Square Blue Line. They get by sellin libations and on donations. The night ended up with an honest to god fiddle contest, and some of us got up and fucking danced our asses off until the upstairs neighbor started pounding on the floor. I meant to leave early but ended up stayin late as I could stand, it was so much fucking fun. I highly recommend it to anyone who loves good times.

I got up early for work Sunday and dragged through a long day during which I caught a cold my shitty ex-smoker's lungs are still struggling with. As the day wound down I felt like fucking shit, but I made it out to the Windy City Story Slam because I fucking said I would. And also because the Slam is the fucking shit. It was held at the Double Door, and this year it was much smoother than last, with great featured readers Tony Fitzpatrick (with an amazing filmic piece from "this train") and Joe Meno (who brought me back to my childhood on the South Side with a piece on love lost on a bus) and an amazing gauntlet of contestants, including tales of corrupt make-a-wish scammers & a nerve-wracking Belarussian train ride. The Slam was easily, handily won, by one Fred Burkhart, a skinny aged Chicago beatstir with a long smoky beard who recounted his days as a boy prostitute, an encounter with "The Muted Asshole". I felt for Nicolette, the runner up, with her amazing story of life as a pimp- how do you compete with that? I was sick as hell the whole time, sittin on the edge of the stage wearin glasses in an already dark bar and not drinking shit, but glad as hell I stuck it out the whole show, it was fucking amazing.

A few days later, we gathered in the tiny apartment of one "Edward Crayon" to send him off to Hawaii. This is no kinda official Happenin but I mention this because of a moment, a singular moment that's difficult to cheapen with words... here gathered all these people who love this man, a gentle spirit, full of wonder... anyway, as we gathered, somebody put out the lights and lit a spinning wicker creation ...and everyone just sorta started to howl, and chant, bellow and laugh and cry, and it was like we were chasing him, joyfully, across the waters, sending him off with our love on his shoulders. If fucking magic exists, as Crayon has argued me many times it must, that was fucking it. he'll be missed, but we're happy for him goin off on a new adventure.

That's fucking community. In all these spaces, in love for friends, in sharing music, making art, buying and selling, keeping secrets, telling stories.

This weekend, I spent most of my time in fucking bed after a long week working sick, hacking up a lung & slowly going mad from cabin fever. Was it worth it? fuck yea.

happenings: WSSD hosts Stevie Edward's Chapbook Release Party

straight from the face-eating-book invite:

On March 26th, West Side School for the Desperate (3608 W. Wrightwood) is hosting Stevie Edwards' release party for her first chapbook, Pain Needs to Remember (tiny house, 2011).

Doors open at 7 pm, show starts promptly at 8 pm.

If you show up late, on top of being a bit of a douche, you will also risk missing part of the phenomenal line up of opening poets:
...Roger Bonair-Agard
Marty McConnell
JW Basilo
Benjamin Clark
John Paul Davis

After the show, Stevie will be selling copies of her chapbook for $9. They are very pretty and have naked ladies on them. You know you want to buy one. Everyone is also welcome to stay after the show and throw back a few libations (if over 21).

Attendees are encouraged to bring wads of cash to generously donate to West Side School for the Desperate, to stay lubricated at the cash bar (beer, whiskey, wine), to buy Stevie's book, and to throw money at all the hotness about occur on the mic.


Bio:
Stevie Edwards spent her formative years in the majestic city of Lansing, MI. She currently lives in Chicago, where she works for a non-profit by day and writes and debauches by night. She is Editor-in-Chief/ Founder of MUZZLE, an online literary magazine. Her poetry has appeared in several literary magazines, including decomP, Word Riot, PANK Magazine, Night Train, Bestiary, and Union Station. She completed her BA at Albion College (a liberal arts school in Michigan) in 2009, where she worked as Poetry & Fiction Editor for the Albion Review. Starting in September 2011, she will be pursuing an MFA in creative writing. Check out her janky website: www.stevietheclumsy.com.


http://schoolforthedesperate.wordpress.com/

Nite Crawl: Screamin' Smoketent Striptrip

Chicago's Broke Artists don't bother dealing with bars & clubs too often these days; they make their own venues, a vast network of underground playgrounds, ranging from the sick & sad to the fucking amazing. Warehouse Wonderlands like Mortville in the near South (straddling the ghetto and immigrant enclaves on the cusp of gentry-invasion) with insane themed sets like Nightmareland and Playground (complete with real sandbox and working swings & see-saw), Loft apartments in long-since-gentried Wicker Park like the recently-gone-legit In Con Ven i -ence where patrons (were) cautioned to take their squares(cigarettes) on a walk so as not to reveal the secret location; there are tiny little Industrial District half-flats inexplicably located over the homes of sleeping babes, Middle-of-Nowhere haunted band houses, briefly lived venues outta friend's apartments like Red Floors (the roof on that place!), Post Pilsen, & the Mustache Gallery, even a joint aptly titled The [fuckin'] Attic, a narrow little space that reeked of catshit on the way up but could barely hold the fevered crowd when I was there a year or so ago.

At an undisclosed location in Humboldt Park in an unimpressive building hiding a spectacular loft space that is transformed into a dynamite performance hall. I'd tell ya the name but not sure if that would get me in trouble with anyone considering what's about to go down. Suffice to say if you get invited to something vaguely reminiscent, fucking go. fuck the cold, fuck inertia, fuck social anxiety, fuck work, just go. you'll thank me.
or maybe you won't. I tend to get overenthusiastic about these things. but sometimes ya gotta choose adventure over same ol' shit. It's been months but I have to get this down now, as like a dream it is fading from my head, windblown brain- sand wise...

I arrived at "The Hall" on maybe two days of no sleep, but insteada headin' home to pass the fuck out already i loaded up on a delicate balance of booze and caffeine and made it to Humboldt because Roche Moche was playin', and I try to see them every chance I get. I'm not really hip to the music scene, I'm a fuckin' geek and my music knowledge is limited to a handful of blues dudes, grunge guys, folky wierdos & punkers on repeat, cuz when I hear something I like I can't get enough - and Roche Moche fits that description perfectly. Plus they're genuinely cool folks I like hangin' out with. good deal all around.

I'm really fucking glad I went because I got to experience like the most amazing Noise MindFuck I've had in a while. I'm talking about Meester Magpie (+9). Holy Shit.

I got there an hour late which is early and sorta hung awkwardly around like I do. I watched a tall skinny blond kid that looked like a Norwegian hacker or something in some sorta colorful knitted garb setting up a tent in the middle of the room. Last time I was at an event with a tent it was for poets, which fits- shy, antisocial, oft pretentious creatures would naturally delight in hiding from the audience to read their secret code. But Music? In a Tent? crazy! wasn't sure if it was meant for the band or unruly audience members. Perhaps there was to be an orgy after? Maybe it was a medical station?

The Hall is a good place to set up camp, with its' huge, skylit ceiling. All over the walls are posted notes from grateful couch hoppers and friends. the back door opens to a stunning fire escape view and, when not crowded with smokers, is a great place to imbibe some fresh cold air straight outta a sweaty mosh. It was a free show with a very trusting donation bucket at the door and a thoughtful coat rack that filled up quick.

The first band, name of which I forget, featured "Grimes" of Roche Moche with a mask over face crawling around on the floor like some crazed wounded monster from outer space. it was your basic punk noise fun.

Then the lights went down, and smoke started to creep outta the tent, with loud strobe lights. this was not a show for the faint of heart, apparently, nor the epileptic or asthmatic. I'm not especially good at describing music, so you want to hear it, here. Heart attack music I think is the technical term. Meester Magpie is one dude, nine is another, together rounding up to awesome. This was followed up by Roche Moche and a follow-up band that were pretty decent.

In the end no one wanted to go home, all these sweaty exhausted bodies hanging around talking like joyful ghosts while hosts circulated gently urging exit. One guest in particular refused to leave and starting stripping off her clothes. She'd been wigging out all nite, dancing frantically with a gutter punk girl, groping random strangers, posing for photographs; this was the culmination of a long euphoric nite, a weird protest against being sent home. the girl, it turned out, was some sort of 17 year-old runaway on acid- at least that's my remembrance of the rumor. to me the nudity was not the problem at all, just that she'd chosen the wrong time for it- when your Gracious Hosts are trying to close up shop, that's the time to fucking put your clothes on and get the fuck out, not perform an awkward striptease. 'Course you can't expect that kinda sense of decorum from a strung out teenager. "Flo", a friend of hers, explained that she is a "performance artist" and all of life is a performance, that she's seen some shit in her time, too. & what the hell, when did we decide that 17-year-olds were children anyway? I mean, they're generally plenty dense but so are most adults, and maybe they'd be sharper if we didn't insist on infantilizing them (just as nudity wouldn't be necessarily sexual if we didn't constantly censor it). In a few months she'll be old enough to vote, gamble away the rent, and die for her country, but she won't be allowed to enter a bar and buy a beer. But for now we'll leave her dancing drunkenly against the floorboards while the Hall folks urge her, via microphone, to get dressed and go home.

Flo is a total sweetheart, a beautiful lanky queer poety musician with a tremendous beard, very huggable and lovey-dovey, so of course he's really good at getting rides. Flo didn't want to put this ride out too much so he had them drop us at a bus stop for the ashland, which we both thought ran all nite. but nothing was running, as nothing does between 2 & 4 am in this shit city. alrite, shit runs, but few in far between in some spaces. you can get stuck, easy, if you're a broke motherfucker like us, walking miles, for hours, which is alright on a nice summer nite when you got a drunk on but nothing you'd envy when it's cold with maybe snow & ice on the ground. We weren't quite sure where we were heading at this point, it took a few false starts for Flo to get his bearings and I had no fucking clue even tho I've lived here my whole goddamm life. Despite the cold it was pleasant to walk in my friends' long thin shadow, to share in the adventure despite the discomfort. Poor Flo woulda had a better time of it if I hadn't been slowin' him down & whinin in his ear the whole time, barkin at his heels like a lost puppy & pissin in the alley every five minutes, but he took it with grace as he's apt to do and in time we made it to a Red Line. It was cold as hell and probably took four hours for me to get home and finally pass the fuck out. Few sleeps have been better.

2/28/11

Happenings: Buddy Wakefield

Moday Feb 28- Columbia Colleges rouge slam poetry group (teamed up with Silvertongue, rough flash fiction squad), is hosting slam champ Buddy Wakefield, at 7pm in 1104 Wabash. Teams of poets will team up against flash fictionists in a battle of words "to the death". or perhaps to the pain? if you're a columbia student you don't have to give a donation, if you're a nonstudent who can't figure out how to fake IDs or sneak into buildings through vents you have to fork over $5. There's an after party at WSSD ...after.

2/27/11

Happenings: Louder Than a Bomb

The famed all-city teen slam poetry fest hits the city like a motherfuckin whirlwind this week.

2/25/11

Happenings: 100 Foot Ride @ Happy Collab

2/26 (Sat) Happy Collaborationists Exhibition Space 1254 N. Noble St. 6 - 10 pm

"The Happy Collaborationists (in partnership with ACRE) present a looped 16mm film installation work by Chicago artist Alexander Stewart, 100 Foot Ride. Continuing a series of projects that use the 100-foot length of a roll of 16mm film as a formal constraint, 100 Foot Ride combines durational performance art with a Structural-film format. In this piece, the artist constructed a contraption with a loop of wire connecting a stationary bicycle with a 16mm Bolex camera. As the artist pedals the bicycle, the wire turns a handle, which cranks the film through the camera. While 100 feet is not traditionally a challenging distance for a bicyclist, the 100-foot length of the roll of film translates into a difficult task for the artist as he struggles with the physical task of pedaling while battling the entropy of his jury-rigged bike-camera contraption."

happycollab
ACRE
alexstew

(as cribbed from face-eating-book).

2/24/11

Happenings: WSSD Launch, Chi-exchange

West Side School for the Desperate, now located at 3608 w. Wrightwood, is celebrating the new digs with a reading Saturday, 2/26. Featuring Zach Green & Evan Collins.
"there will be an open mic with sign-up available the night of the show for those of you who like to get down. Per usual, there will be beverages at an extremely reasonable price (we ask that you do not b your own b).

$5 donation or pay-what-you-can (no one turned away for being broke). All proceeds go toward paying the performers, the space, and to fund future projects."

This is basically a house party so please respect the space.


The City is Yours! Chicago Exchange

Thursday 2/24th @ wicker well & Friday 2/25 @ multi kulti/Q4
the Fest promises a shit-ton of music, mural painting, poetry reading, they're gonna sell food, they're gonna have "dance collectives", it seems like the kinda show you can just kinda bring a djembe, a poem, or some cool pins to hustle. they want community involvement, give it to 'em; bring art supplies, perform a skit, wear something silly. donations at the door, refreshments in the back, respect the space. it's an undisclosed secret hideout visible only to wizards {floating somewhere around 1000 N Milwaukee) and has been host to story slams, jams, free expression & empanadas.
This event has an ambitious purpose: "There will be music from all over the world each day, and with your help we can create or awaken a new culture in Chicago."

*

Coming on the heels another round of The Bullshit Olympics, I dunno whether to laugh or cry reading that.... but that's something I hear all the time from mostly outtatowner kids traveling the city's artist underground. "we gotta build a community." I feel like we are building it, maybe based on nothing more than just a group of people united in being fucking wierdo loners, a segment of the hive, one of many tribes in the city. we trade with each other, we go to each other's shows, we have each other's backs. Multi Kulti doesn't need to panic; there is consistently a voice for people from diverse backgrounds on a stage in front of a pretty mixed group- it's not just white kids, it's not even just kids or just hippies; there is a strong Latino presence, poets and music people, friends of friends. it's just Chicago folks who are chill and like art. as far as I'm concerned, Multi Kulti already building a space that brings people together. Spaces like West Side School for the Desperate, a home for poets, are springing up all the time. There are many collectives hiding away in the city. I'm keen to see if these guys can wake Chicago outta hibernation. I'm sure they can manage it at least long enuf to put on a good show.

2/23/11

Happenings: Monster Art, Windy Slam

Friday, 2/25 7:30-11pm- Monster Art Auction at the Anode Gallery (718 W 18th).

Sure, your broke ass maybe can't afford vintage picassos or even vintage playboys, but you can try your luck getting a piece of art at the Monster Art Aution, like or some other little cool art pieces & crafty things; if you know how to work an art show there's generally free wine, food, & swag in it, not to mention the free lookee-loo at awesome shit, like a nightmare installment planned by Samantha Larson that I won't spoil. Plus, you can get some more use out of an old Halloween costume and come dressed as a monster (hipsters, come ironically dressed as a republican!).
One of the artists is my good friend Ike Floor, who meticulously crafts wire creatures pushing through walls & winter-proof woolen mock pig & swamp thing facemasks. Also featuring: ET Chong, Kyle Futrell, Seth Gershberg, George Gabe Gonzalez, Kevn Tijerina.
And since Pilsen hasn't turned into Wicker Park quite yet (though we have seen cabs crawling through and condos going up), after the show you can go get a cheap taco & maybe a 40 oz and chill in the plaza if weather permits.


Sunday, 2/27 8:30-11pm- 3rd Annual Windy City Story Slam All-City Championship. $7 at the Double Door.


If you like stories, beer and yelling, this is the fucking show for you. Local writers vy for your affections as you cheer, boo, or drink quietly depending on your mood. Story Slam is a mash-up of Boxing & Poetry Slam rules created by Bill Hillman, with Crowd Noise as judge, (meaning, like in boxing, it can be fixed- by loading the crowd with adoring goons; but more importantly, that the fuckin crowd gets to pick the winner, not some lofty ivory tower jagoff), and boxer belts awarded to champs. This round is to crown the All-City Champ, who then goes on to the Nationals. Featuring readings by Tony Fitzpatrick & Joe Meno.

For the truly broke & desperate, here's a swindle tip: sometimes you can avoid door fees for shows by showing up super early or super late (and talking the bouncer into letting you in). Probably won't work at the hard-nosed Double Door, which has a no re-entry rule (with the exception of smoker's passes), but try your luck if you're a Scrooge (or an Artful Dodger). Me, Imma pay the mere $7 fee, cuz the Windy City Story Slam is the fucking shit, pumping the life blood into the lonely hall of literature. Where else can you boo a lame story, or cheer a kick-ass one? No English Lit class I know of.

By the way, last year I interviewed my friend Alex Bonner when he won Slam Champ here . He'll be doing a probly hilarious presentation on "what it's like to be the champ". Hopefully with Powerpoint.

Free For All Improv @ Playground Sundays

Every Sunday @ 7:30, Playground theater (Lakeview). BYOB.
It's good, dirty fun as God intended, and it's fucking free. plus you can rock a 40. Jokes & Awardness Galore. What more could ya ask for?

It's hit or miss but these are some really funny guys (and, uh, whatever the lady-version of "guy" is) in this show, founded some years back by Kolena (heavy on I.O. & 2nd City cred) featuring Hair Club For Men and other groups that that take risks, visit strange places, and sometimes totally spaz the fuck out. Sometimes they can be really brilliant. Sure, it's great when a joke goes off real well and gets a big laugh, but it's also awesome to see these guys thrash about, fuck up, struggle out & joke it off. There's a lotta comradry between the groups and the indulgent audience. It's a nice, chill little show.
There's generally some kinda show after, sometimes also free. Well, technically it's free, but you'd be a real dick not to give these guys a buck. They sure as hell work for it.

"The Guns & Knives are free!" says outdated youtube self promotion video

2/21/11

Voting is Free, (it's the other jerkoffs votes that'll cost ya)

Happy Voting/Not Voting!



The 24th Ward: Lotta Need, Lotta Names, but who's got the skills?

(this is an extended version of a piece on the 24th Ward that appeared in Streetwise)


The needs of Chicago's 24th ward are basic and urgent: jobs, homes, streets you can walk down without fear. What they really need is a voice after years of neglect. The ward, which slices through most of North Lawndale and parts of Austin, Little Village, & East Garfield Park, is littered with empty lots, abandoned factories, and boarded-up buildings; many have stood empty for over 40 years. The people of the 24th ward are poor, mostly African American, with a smaller portion of the Hispanic population (some recent immigrant families), and an even smaller number of mostly poor whites. Needless to say, this poor, mostly black area has been ghettoized and ignored by the city for generations.

I live nearby, in Little Village, where a sharp line divides the 'hoods along lines drawn by aging men years ago, maintained by 15 year olds by spraypaint & intimidation. Lawndale is one of those place that white people tell you not to go to, it's a "bad neighborhood". It's a heartless and cowardly attitude, but there's some sense to it; the shit you see there ain't pretty. I will never forget the little old man who got on the bus after having fallen down an open manhole. The poor guy was dressed in a stylish, formal suit and was terribly embarrassed to have to be getting on a bus stinking of sewage, apologizing profusely to his fellow passengers, but he didn't seem particularly ambulatory and certainly must have been in a rush to get home. As I was talking with him I asked if he'd call the city, and he said yes, that the person on the other end of the phone told him he "shoulda stayed down there". Nobody on the bus batted an eye at this.

You wonder how much longer the status quo can hold: how much longer will Chicago's miserable poor be ignored?
This year's aldermanic race is full of people who say they want to save their ward. Many of them seem to really mean it. The 24th ward is host to a crowded race for alderman this year, as it has in years past, with all 20 candidates promising change, which is what politicians do. I spoke with a few of the contenders.

I met up with Melissa Williams at a crowded, noisy McDonald's down Kedzie in Lawndale. Then we thought better of it and drove down the street to a little restaurant on Pulaski. The place was decorated with photographs of African American political leaders, so it was kinda a perfect setting for a sit-down with an ambitious candidate.
Williams stresses communication in her campaign. In a K-town forum posted on youtube, she emphasizes this repeatedly, "I'm running to be your representative. I'm not running to be that person that just runs out ahead of you and leaves you and leads you and doesn't come back and talk to you, explain things to you, and listen to your ideas...we're gonna be communicating constantly". She even plans to create a youth council.
All the candidates say it at some point; the common refrain in a campaign in which the previous (and yet, still current) contenders are accused of hiding in their offices, ignoring their constituents, and not doing enough for the Ward.
Williams said she started getting involved in the ward when she was 16 (attending Whitney Young); her stepfather was a pastor in a North Lawndale church, and she remembers marching to get abandoned buildings torn down. Then she went away to study law & political science at John Marshall and Bradley. But she never forgot about her community. "I would come back home to visit and then eventually move back home and saw that not much had improved,things pretty much had gotten worse". Williams has worked in housing. She is frank, energetic, passionate. She indicates she will fight for increased funding of social services, even if it means raising taxes.
According to Williams, "in order to prevent the community from being completely turned over and gentrified, to prevent some of the people who have lived here forever from being pushed out, we have to take a stand as a community."
Gentrification may seem a long way off from the far-west former Chicago ghettos that are still Chicago's ghettos. A slice of ( Fucking Kickass Journalism by Steve Bogira attacking the subject of segregation was published in the Reader last month. So, y'know, if you ever want to read some actual good journalism, go check out the Reader.)
But it's already creeping into the ward from the West Loop, where stubborn yuppies and their corporate overlords (aka parents) are attempting to turn the city's remaining slab of hogbutcher to the world, the meatpacking district in a manufacturing heavy area near downtown into a hip spot for young, loaded professionals. That combined with spillover from UIC and the city colleges, including artsy-fartsy Columbia students & their hippie & hipster friends, is slowly pushing out to the south and west. White people have swarmed down like locusts on Pilsen, which will push out residents like a crowd swarming backwards, hopefully without too many violent gang readjustments. In the 24th, East Garfield Park is the place to watch, but with the economy still in a slump the threat level is only at Atomic Tangerine.
I asked other candidates what they thought about gentrification, how they could promote integration instead of displacement. Nobody seemed to have a concrete plan for resolving the problem; the refrain is that people need to communicate, have pride in their community, and build up their own skills, create their own businesses in the neighborhood. But nobody proposed a specific ordinance or game plan for keeping affordable housing in such an eventuality. And after all, the current focus is making the ward more habitable for those already living there.
"We need to develop the people who are here to take advantage of those opportunities" says Valerie Leonard, "you know, there's always gonna be survival of the fittest and the good thing about people who are here is they are survivors. The thing is, we need to make sure that people receive the education they need."

When Valerie Leonard speaks she unravels encyclopedic knowledge of TIF funds (if you don't know what TIF funds are, read Joravsky), business structure, and strategies. She is very practical in her approach, with lots of elaborate plans and strategies that she makes easily available to anyone who want to know. It's no suprise- she's been active in various community campaigns, particularly when it comes to TIFs. She appears to already have a basic outline for what committees she will form in order to organize the community. Of all the candidates I spoke with, she was the only one to criticize the idea of forming a council of one's appointments, saying that she wouldn't want to create an "elite group"; smart thinking. She is a vocal critic, as are many aldermanic candidates of late especially in underserved wards like the 24th, critical of Daley programs like Renaissance 2011, which she was was just "shuffling the chairs on the titanic".
Leonard describes her candidacy as a "spiritual journey". When I ask her something along the lines of how can the impoverished side of Chicago can gain leverage in City Council, She says that "when Gandhi moved it was with powerless people when Martin Luther King moved it was with poor powerless people, many of whom were youth. so it's not always money power it's people power, being able to organize... and make people realize their power within." Leonard is endorsed by both the Tribune & the Sun-Times.

Tough, compassionate Regina D. Lewis, a foster mother of five (grown), once turned her home into a shelter, Ashunti House; and has for the past 19 years been CEO of Ashunti Residential Management Systems (ARMS). She says she's "not scared of the Mayor", and I believe her; but, like many of the candidates, politically inexperience; it's hard to imagine her wrangling with some of the slimiest legal minds in the city, although she has rehabilitated "ex-offenders, homeless, drug user...mental, bipolar, you name it I have housed it." (K-Town Forum). She is a Biology Major (Jackson State), and her focus is on "human and social development", rehabilitating ex-offenders, and job training; a focus on this is so laser-like that I wonder at times why she doesn't just specialize in that. She also stresses communication and has been working tirelessly with various community organizations such as the NAACP, CAPS, and the Westside Ministers Coalition for years. Regina Lewis is someone who has earned respect as a community leader. She says her office on Pulaski will always be open to those in need (a profile of her can be read in the North Lawndale Community News).

Talking to political candidates is difficult for me at first, not just because of my overwhelming social anxiety but also because I don't know how I can trust them, so I just don't. I know I'm not as smart as some of them, I don't know shit about how a fucking budget works (numbers? what?) or anything, but yet I have to scratch out some sort of truth otta the bastards. Still, speaking to someone like Regina Lewis in her bustling office full of admirers on a strip of tiny struggling storefronts, vacant lots, trash-strewn streets, I feel my claws instinctually detract some. For all I know Lewis is a secret bastard like Mother Theresa, but I don't believe that. I believe that Lewis, Leonard, Williams, and many of the other candidates love their community and want to help it. I want to believe that they want to change things. But it's a tough job. Especially if the fortune tellers are right and we get another tough mayor. We need aldermen who can stand up against that.

Talking with the candidates, the main problems of the community were clearly outlined to me over and over again as we both worked to make sure we hit our talking points. Housing? It's not affordable, so it stands vacant while people struggle with homelessness. Education is inadequate, better schools with a more localized approach are needed. Money is needed for local schools. Schools need to be safer. Education is key to finding jobs. Crime? CAPS is failing. Cops need to get along better with the community in order to get the community to work with them. Crime will persist until people can find employment. Jobs? They're scarce, and the people in the community are under-qualified for many of them. They need job training.
Sensing a theme here?

Vetress Boyce
says her decision to run is "based wholly upon the cry of the people". That cry? Jobs, jobs, jobs." A businesswoman, Boyce's "number one focus is killing poverty". She says increased police on the streets would be "a band-aid on a gunshot wound... it's poverty that we need to tackle, not locking people up".
Other candidates, like Williams, expressed a similar sentiment. It's no secret that Chicago cops treat minorities in troubled communities with an attitude ranging from disdainful to illegally violent; as a result, the community becomes distrustful of cops and even more invested in the underground economy, which for many is the best job prospect they have. Talking with candidates, I hear over and over the saying that some of the men standing out on the corner don't want to be there. I'd wager that the man who wanted to be out on that corner was rarer than that.

Frank Bass says he would like to see Chicago cops walking a beat, getting to know residents. Bass worked as a cook county lobbiest for ten years, and brags (at the K-Town forum) of getting things done for his neighbors by calling up friends at City Hall. He says that he is "opposed to all taxes". He is a Chairman on the Board of the North Lawndale Community News.

Shavonda Fields, an Associate Minister at Familiy Altar E.B. Church. She'll tell you that she's worked as minister, a missionary and a preacher (apparently, even at political events provided they're held in a church, although she says she will keep these roles separate). Fields overcame homelessness at a young age, and to this day she and her family will bring homeless people soup and hot chocolate on cold days. She says her priority in the ward is public safety. She wants to see people "create culture" in the ward.
She's referring in part to the lack of entertainment venues in the area. Melissa Williams puts it this way; "we need to be creative in our community", rolling off a list of possibilities for the ward: sit-down restaurants by locals, a skating rink, a banquet facility... Development is a key word in this campaign.

Sondra Spellman has had a life-long passion for politics, working as a campaign worker, poll watcher, and judge of elections. She once worked on Chandler's campaign but says he "lost his way". She says the 24th ward can gain strength through increased voter power. She calls on City Hall to invest in the area, saying "if the neighborhoods are falling apart, what does it mean to have a beautiful downtown area?"

Also running are Incumbent Sharon Dixon, former alderman Micheal Chandler, former NBA player Wallace E. "Mickey" Johnson, retired H.S. principle Julius Anderson, Wilbert E. Cook III, Donielle C. Lawson, Martivius Carter, Chauncey L. Stroud, Jimmy Lee Lard, Jeffery D. Turner, and Larry G. Nelson. Patricia Marshall and Roger L. Washington (a preacher/cop with a youtube campaign in which he shows off a brief Obama bodyguard stint and showcases the endorsements of his students) were knocked off the ballot (all the candidates were challenged; kinda reminds me of another brilliant Joravsky article) are running as write-ins.
All candidates spoke of TIF reform, salary cuts, and standing up to the mayor. Time will tell the sincerity of these claims. One thing's for sure- the 24th ward needs change, and many here are willing to fight for it.

2/15/11

Broke in a Blizzard

there is a general distinction between "broke" and "poor" in my mind. in this fancy, a "broke" person is somebody who doesn't make any money, doesn't have any money, and doesn't generally have access to money but who has what those dirty liberals call "privilege", a safety net, parents who could go deeper in debt bailing them out, an electric guitar to pawn, a dusty college degree. I guess I got some Catholick'd guilt about calling myself poor when I see what the word "poor" in this world really means. it doesn't mean not having shit. it means not having shit. poor is living in the projects, selling your daughter slavery to keep the farm, cutting your leg open for beggar's advantage, working long days in factories just to eat... when you're 12. it means the only way to vote is with your body in the street blocking a tank. and that only works if there's enough of you out there pissed off enough to stay in the streets for weeks but smart enough to absorb the blows with your bodies rather than returning volley, as anyone opposing a military/police force is automatically a criminal unless they're being dramatically rolled over.
When the radio went off a few weeks ago in the middle of broadcasting the Egyptian Resistance, when the power went out and I was momentarily cut off from my creature comforts- light, heat, and my all-consuming news-junky/idle boredom /face-eating book fueled internet addiction- panic ensued. But just briefly, somewhere at the back of the spine. meanwhile, spreading from guts to naughty bits and shooting back up thru my chest, a burst of fevered excitement. Candles! Cloaks! Maybe a trash can fire!
Severed from the ability to do research, no escape in the middle of a ferocious traffic stomping Tormenta de Nieve sent straight from the cold unforgiving teat of Bitch Mother Nature, I was free of all fucking responsibility- no work, no shower, no phone! Just me stranded in the cave and a shit-ton of eager books and notebooks, possibly a candlelit jack-off session. And when it got too goddamm cold even for that, I put on as many fucking pairs of pants and shirts and long underwears and gloves and hats as I could and piled into some fucking blankets and felt like a Brave American, facing the hardships of a single night out of my element without complaining a bit, and went to fucking sleep.
In the morning, I woke up cold as hell and pulled open the door to my basement cave, walked up into the street, which was about 20 fucking degrees warmer, with snow up to my bluejeaned thighs (well, even though I can't use the dryer, I do have an extra pair of pants. yup, just one. broke.)
It was beautiful. Everything blanketed, I mean huge piles of snow, all my neighbors frantically shoveling out cars and stickin broken chairs and buckets in the space for dibs. The firemen had had a rough night of it- I watched as they furiously shoveled out the ambulances that were called all night to struggle along unplowed roads (Surely the storm fucked over some people, was tragic for some people, which must give us pause) -but those poor bastards had gone home for some well deserved rest, and the morning crew were as pleasant and friendly as firemen generally are. My landlord, a fireman as well, txted me that the door of the firehouse was stuck open and it was "fucking cold!".
I cheered and waved to the grumpy lady driver of a garbagetruck-turned-plow, she broke into a grin and waved back. Later I'd see kids clambering all over, enjoying the snow day, building elaborate snow people & igloos, hosting all-family snowball fights.
Eventually the power came back on and it was back to work for me, researching would-be politicians and comedy sketch shows (technically I'm not getting paid for either so they carry about equal weight if I'm not vigilant). The radio resumed it's crackling yell, and the dry, serious disembodied journalists regaled me with tales of the Egyptian revolution and folks stuck out on Lake Shore Drive, but made no mention of the over 12 hours of power & heatless working class 'hoods, though maybe that report came in later. It wasn't long before it was business as usual for me and the rest of the goddamm city.
But, just briefly, the power of the face-eating book was broken, the complacency, the boredom, the dullness of privilege. A tiny glimpse into what actual deprivation is like. See, I knew the lights would come back on, knew the city would take care of me, at least give me somewhere warm to stay if I needed it. Not everybody has that luxury.
My chances of surviving if dropped into the life of any one of the poor unfortunate motherfuckers who are actually poor, actually surviving is slim to nil. I'm fat, I've smoked my lungs into a coma, and I don't posses the most basic of carpentry skills. Sure I can scribble my way outta a paper bag, but that doesn't exactly help me put food on my family even in this life; I ain't Chaucer, I don't have some fucking King feasting me in exchange for dirty limericks. Fuck, if I was born in some other time or place I'd probably be stoned for the gay or burned as a witch before I had the luxury of starving to death from incompetency. I'm a broke motherfucker, sure, but I'm a privileged, lucky son of a gun too, and I fucking know it. Even if I am technically a "surf to the Corporate-ocracy" as my conspiracy theorist friends like to point out.
Don't get me wrong, sometimes it sucks to be broke- if I wasn't, I could fly to Egypt and see the Revolution first hand, rent a jet-ski and (uh... what's the verb, to jet-ski?) ...run around town, taking pictures of the awesome blizzard with my high powered camera before getting sucked into Lake Michigan by a powerful gust of wind (no disrespect to the poor bastart that actually happened to). I could live in a mansion and pay women to feed me chocolate and doctors to suck the fat outta me afterwards. I'm not sure Id be any happier, though. See, in a way I'm lucky to be broke, to have something to struggle against. Fuck rich people anyway, they're generally assholes. I'm lucky to be broke in a place where I get to eat every day no matter what and say what the fuck I want without getting stoned (although I do like to get stoned occasionally), where I can walk around without much likelihood of getting bombed or shot. Beats the hell outta bein' poor. Maybe that's the worst thing- I can't do much for myself, there's just about jack shit I can do for them. But I'm close enough to give a fuck, close enough to try. -HK

2/9/11

How to Eat on a Dime while Patroning Local Small Businesses

-Stephanie

For the past three years I've lived all over the West Side of Chicago, and as such have done the majority of my grocery shopping in the fruiterias rather than the florescently glamourous Jewel Osco or even the more ritzy Whole Foods. It's been a struggle weening myself off the cheap frozen meals, Hostess cupcakes, and potato chips that are inexpensive and available at every turn, but now my shopping list has come to contain plenty of cheap produce and staple ingredients that you can find at any neighborhood grocery store.

  1. Avocados - $.79-$2: Rich in vitamins and minerals, avocados are high in monounsaturated fats which help to sustain energy levels while satisfying your appetite. They're also highly versatile and a delicious addition to many dishes (guacamole is the obvious, but they're also great additions to sandwiches or even satisfying on their own).
  2. Tomatoes - $1/lb: High in vitamins A & C, tomatoes boost your immune system, and studies show that they also reduce your risk for cancer. Like avocados, tomatoes are another versatile ingredient that tastes good on its own (with a little salt and pepper, if that's your thing).
  3. Plantains - $1-2: "They're like a cross between a banana and a potato." Plantains fucking rule, guys. They taste good sweetened or unsweetened, and compliment pretty much every meal. They all have numerous uses as key ingredients to many dishes, including the famous jibarito, which uses flattened plantains instead of bread (and are an underappreciated feature of Chicago's unique culinary culture). Personally I think they're delicious just fried with butter and cinnamon sugar.
  4. Corn Tortilla Products - $.49-3: I usually buy corn chips, tostadas, or tortillas instead of bread because they're cheaper, last longer, and are lower in fat & carbs. Plus, you can do a lot more with tortillas than bread, and it's easy to get creative.
  5. Kidney Beans - $.79: I buy them in a can. I'm not all fancy with my raw beans that I have to cook for hours before they can be eaten. Beans are high in protein and low in cholesterol, so they're good for your heart and your energy. You can make chilli with them, or the typical contemporary pauper's meal of rice and beans, or cook them with spices on their own (I flavor mine with a hint of balsamic vinegar). They also taste good with any of the above ingredients. (Are you getting a sense of a pattern here?)
In addition, the two spices I always have on hand are salt & pepper Adobo ($1-2) and fresh garlic ($1-2). Feta cheese is a little pricey but compliments all of these flavors, and when I can't afford that I opt for parmesan (cheese is very important in my world). With these staples, I can make a variety of different dishes, and if I'm in the mood for a salad, or pasta, or a steak, I can use most of these foods to make a well-rounded, nutritious dish while just picking up a few extra things. The best thing is that you can find all of these foods at your local corner grocery store, supporting local businesses while eating healthy and spending less money.